Cheoyongmu
Practised In
Overview
Cheoyongmu is a court dance today performed on stage but formerly used to dispel evil spirits and pray for tranquillity at royal banquets or during exorcism rites on New Year’s Eve to promote good fortune. Based on the Korean legend of Cheoyong, a son of the dragon king Yongwang, who took human form and saved his human wife from the smallpox spirit through singing and dancing, the dance is performed by five men clad in white, blue, black, red and yellow to represent the four cardinal directions and the centre. They wear the light wine-coloured mask of the man-god, with white teeth, tin earrings with a necklace of lead beads, and a black hat decorated with two peony blossoms and seven peaches to ward off evil and invite auspicious energy. The dancers move with stateliness and vigour through a variety of styles and tempos of music, punctuated by various lyrical song recitations. Part of a greater folk mythology surrounding Cheoyong, including the belief that his image carved on the gate of a house would repel smallpox and other ills, Cheoyongmu also embodies the philosophy of Confucianism, particularly the Theory of the Five Elements. The creation of the Cheoyong masks also provides a valuable opportunity for traditional craftsmanship.
About Cheoyongmu
Cheoyongmu (Korean: 처용무) is a Korean mask dance based on the legend of Cheoyong, a son of the Dragon King of the Eastern Sea. It is also the oldest surviving Korean court dance created during the Unified Silla period. Cheoyongmu has also been considered as a shamanistic dance because it was performed to drive off evil spirits at the end of the year.
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Details
- Country
- South Korea
- Inscribed
- 2009
- Register
- Representative List
- Reference
- 189